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Close X Saved to Music List. Pure Cello Volume 3: Thirty Christm Six Studies in English Folksong. Cello Solos. Mary, Did You Know? The Cello Soloist - Classic Solos f Concerto No.
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While vast, the trio is also highly integrated. The development is concerned chiefly with the last theme working this generous sonata into surprising dramatic heights. The slow movement begins with a somber, poised march with a singing cello lament in a minor key.
A second theme melts the chill into a tender, bright warmth of smooth motion, a contrast that generates another unexpected epic, the most memorable movement of the trio. Twice, it swells into a blinding heat of monumental passion before cooling again into the restrained, unforgiving march. The Scherzo delights with sparkling play and clever invention: it is a canon throughout with piano and strings imitating each other in a variety of shifting combinations interlacing two and three-part textures in a genial dance like so many Schubert wrote for his Viennese friends.
The trio section is more rustic and bold with heavy accents and a recall of one of the troubled, rhythmic themes from the first movement charmed into dance through a loving contrapuntal embrace. The finale is combination of rondo and sonata forms with no less than three additional melodies, as though Schubert had an inexhaustible font of new music pouring out of his racing, mortal imagination.
Midway through, Schubert reintroduces the march theme from the second movement, reminding us of something important we may have forgotten. Now, at least four distinct themes weave in an out of a tapestry of dazzling color and virtuosity with music that perhaps exceeds even Mozart with its lyrical bounty.
For a final transformation of tremendous effect and compelling unity, Schubert returns to the march theme yet again, this time reborn in a final triumphant major key. A casual listen to Schubert sometimes provokes the reaction that he is a bit long-winded, maybe even a bit repetitive. A more attentive listening reveals that Schubert never says the same thing twice. With his masterful handling of an ever-changing texture, his uncanny use of color within a chamber ensemble, his expert rhythmic sense and his exotic, emotionally keen harmonic modulations, Schubert always invests his recurring thematic material with new meaning, ultimately building a large-scale narrative where nothing is redundant and everything necessary.
His music demands from the listener only an equivalently generous presence of heart and mind. The Trio No. The Trio was among the few of his late compositions Schubert heard performed before his death. It was given its first private performance by Carl Maria von Bocklet on the piano, Ignaz Schuppanzigh playing the violin, and Josef Linke playing cello.
Scholar Christopher H. The piano trio contains four movements :. The first movement is in sonata form.
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